French Impressionist Painter, 1840-1926 Claude Oscar Monet (14 November 1840 C 5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting. Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the ninth arrondissement of Paris . He was the second son of Claude-Adolphe and Louise-Justine Aubree Monet, both of them second-generation Parisians. On 20 May 1841, he was baptised into the local church parish, Notre-Dame-de-Lorette as Oscar-Claude. In 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery store business, but Claude Monet wanted to become an artist. His mother was a singer. On the first of April 1851, Monet entered the Le Havre secondary school of the arts. He first became known locally for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857 he met fellow artist Eugene Boudin who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" (outdoor) techniques for painting. On 28 January 1857 his mother died. He was 16 years old when he left school, and went to live with his widowed childless aunt, Marie-Jeanne Lecadre. After several difficult months following the death of Camille on 5 September 1879, a grief-stricken Monet (resolving never to be mired in poverty again) began in earnest to create some of his best paintings of the 19th century. During the early 1880s Monet painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. His extensive campaigns evolved into his series' paintings. Camille Monet had become ill with tuberculosis in 1876. Pregnant with her second child she gave birth to Michel Monet in March 1878. In 1878 the Monets temporarily moved into the home of Ernest Hosched, (1837-1891), a wealthy department store owner and patron of the arts. Both families then shared a house in Vetheuil during the summer. After her husband (Ernest Hoschede) became bankrupt, and left in 1878 for Belgium, in September 1879, and while Monet continued to live in the house in Vetheuil; Alice Hosched helped Monet to raise his two sons, Jean and Michel, by taking them to Paris to live alongside her own six children. They were Blanche, Germaine, Suzanne, Marthe, Jean-Pierre, and Jacques. In the spring of 1880 Alice Hosched and all the children left Paris and rejoined Monet still living in the house in Vetheuil. In 1881 all of them moved to Poissy which Monet hated. From the doorway of the little train between Vernon and Gasny he discovered Giverny. In April 1883 they moved to Vernon, then to a house in Giverny, Eure, in Upper Normandy, where he planted a large garden where he painted for much of the rest of his life. Following the death of her estranged husband, Alice Hosched married Claude Monet in 1892.   Related Paintings of Claude Monet :. | Madame Gaudibert | Poppies at Argenteuil | Boats on the Beach | The Flowered Arches at Giverny | Michel Monet au bonnet a pompon |
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johann tischbein
Johann Heinrich Wilhelm Tischbein, also known as Goethe-Tischbein (15 February 1751 in Haina ?C 26 February 1828 in Eutin) was a German painter. He was a descendant of the Tischbein family of painters, and a pupil of his uncle Johann Jacob Tischbein. Like many contemporary colleagues, Tischbein lived in Rome for some years. During his first stay in Rome (1779?C1781) his style changed from Rococo to Neoclassicism. He painted landscapes, historical scenes and still lifes. His second stay in Rome lasted 16 years (1783?C1799). He met Johann Wolfgang von Goethe there in 1786, made friends with him and accompanied him to Naples in 1787. Later, Goethe recounted this travel in his Italian Journey. Also in 1787, Tischbein painted his most famous work, a portrait of Goethe as a traveller in the Roman Campagna (now in the Städel museum, Frankfurt am Main). From 1808, Tischbein was a painter at the court of Oldenburg in Northern Germany.
Antonio Pollaiuolo
1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.
Elizabeth Siddal
British Pre-Raphaelite Artist , 1829-1862 was a British artists' model, poet and artist who was painted and drawn extensively by artists of the Pre-Raphaelite Brotherhood. Siddal was perhaps the most important model to sit for the Pre-Raphaelite Brotherhood. Their ideas about feminine beauty were profoundly influenced by her, or rather she personified those ideals. She was Dante Gabriel Rossetti's model par excellence; almost all of his early paintings of women are portraits of her. She was also painted by Walter Deverell, William Holman Hunt and John Everett Millais, and was the model for Millais' well known Ophelia (1852). Named Elizabeth Eleanor Siddall, after her mother, Lizzie was born on 25 July, 1829, at the family??s home at 7 Charles Street, Hatton Garden. She was born to Charles Siddall and Eleanor Evans, a family of English and Welsh descent. At the time of Lizzie??s birth, her parents were not poverty stricken. Her father had his own cutlery-making business. Around 1831, the Siddall family moved to the borough of Southwark, in south London, a less salubrious area than Hatton Garden. It was in Southwark that the rest of Lizzie??s siblings were born: Lydia, to whom Lizzie was particularly close, Mary, Clara, James and Henry. Although there is no record of her having attended school, Lizzie was able to read and write, presumably having been taught by her parents. She developed a love of poetry at a young age, after discovering a poem by Tennyson on a scrap of newspaper that had been used to wrap a pat of butter. This discovery was one of Lizzie??s inspirations to start writing her own poetry. Model for the Pre-Raphaelites Siddal, whose name was originally spelt 'Siddall' (it was Rossetti who dropped the second 'l') was first noticed by Deverell in 1849, while she was working as a milliner in Cranbourne Alley, London. She was the daughter of Charles Crooke Siddall, a cutler who claimed that his family descended from nobility, and his wife Elizabeth Eleanor Evans Siddall. Neither she nor her family had any artistic aspirations or interests. She was employed as a model by Deverell and through him was introduced to the Pre-Raphaelites. The twenty-year-old with her tall thin frame and copper hair was the first of the Pre-Raphaelite stunners. William Michael Rossetti, her brother-in-law, described her as "a most beautiful creature with an air between dignity and sweetness with something that exceeded modest self-respect and partook of disdainful reserve; tall, finely-formed with a lofty neck and regular yet somewhat uncommon features, greenish-blue unsparkling eyes, large perfect eyelids, brilliant complexion and a lavish heavy wealth of coppery golden hair.